The film’s co-director, Itab Azzam, was in Bergen for a screening of our feature documentary, We Are Not Princesses. Here is the video of her Q&A after the film.
Dina goes to Calais with Complicite to visit the 'Jungle' of refugees waiting there. Read about her experience here.
On December 9th, 2014, a fundraiser for the Antigone of Syria project took place at the Courtyard Theatre in London. This was an evening organised by an independent individual that had no professional affiliation with Aperta Productions. Neither the creative team nor the actresses in Lebanon had any knowledge of the event whatsoever.
The question about this remarkable group of women was not whether they could act or not; the problem is that, for the past four years, they have done nothing but act. Silenced by the tyranny of Syria’s war, they began the Antigone workshops afraid of using the pronoun “I” when telling anecdotes. With this play they finally reclaimed their opinions and identities and brought courage and honesty to two worlds; a Syria of fear and antagonism and a West governed by media hyperbole.
Barefoot in a yoga studio in Lebanon's capital Beirut, a couple dozen actresses raise voices and stretch bodies that had grown used to being quiet and still.
"Go on," they cry as a clapping exercise speeds up, and they fill the room with whoops and uninhibited yells.
But these women aren't professional actresses. In fact, they're refugees from Syria, and this production of the Greek tragedy Antigone is a project designed to help them deal with their trauma.
Avec plus d'un million de réfugiés syriens, plus que tout autre pays de la région, le Liban vit de plein fouet et au quotidien la crise syrienne qui dure depuis bientôt quatre ans. Parmi eux, les femmes sont nombreuses et des associations tentent de leur apporter une aide particulière. Une vingtaine d'exilées syriennes sont ainsi devenues comédiennes le temps de quelques soirées de représentation d'une pièce de théâtre mythique.